It’s now finally available! Filadressa #7, a yearly publication by Edition Raetia about tyrolean literature, features one of my short “parasite comic” titled Space Schützen. This comic is a collection of narrative and visual fragments about a dystopian future where the province of South Tyrol (where I live) has become a multinational corporation that comquers alien planets to turns them into alpine holiday destinations for tourists.
Filadressa #7
November 25th, 2011
Lucca Comics 2010? Yes, I was there too…
November 16th, 2010
If I haven’t posted anything about Lucca Comics until now it’s just because I haven’t found the time to do it yet. Since my return they kept me pretty busy with work. I guess I’ll never find the time to write something, but here’s at least a couple of pictures.
It’s been strange. For the first time I have spent a convention just sitting behind piles of books drawing “dedicaces” for the people. Tiresome but rewarding at the same time!




Photos by: Sbrizz and Matteo Cuccato
(Italiano) A Lucca… come al solito.
October 28th, 2010
Sorry, this entry is only available in Italiano.
Oh my god! We’ve won again!
October 4th, 2010
I can’t believe it! Just one week has passed since I won the award in Treviso, and now Giètz! has been awarded best Italian comic at Romics, a comic festival in Rome.
Big news for my Publisher Tunuè, who also takes home an award for best European Comic with Alfred’s Non morirò da preda!
And now let’s get drunk!
Jazz music for the people
August 20th, 2010
I’ve spent 3 years working on a graphic novel about jazz music, and this made me discover and appreciate many musicians I didn’t know (or didn’t know well) before. Still I can’t say that I’m a Jazz addict, even while drawing Gietz!, most of the time I would listen to completely different music, like The Cure or some chiptunes. At one point I felt the need to find some flavour of contemporary Jazz that was somehow more in line with my taste. I dicovered a whole new world!
There’s this current in Jazz which is called Dark Jazz, or Doom Jazz which is a mix of dark athmospheres, weird soundscapes and e-piano. There’s two great bands I would recomend: Bohren and the Club of Gore and The Kilimanjaro Darkjazz Ensemble. Check out the videos below:
Another great band I would recommend is Movits! Those Swedish guys created the perfect mix between Django Reinhard, Swing and Hip Hop. I’ve been listening to this a lot while drawing Gietz! It perfectly fitted with the mood of the comic, and was energetic enough to fuel my motivation!
The Space Schützen are back!
June 6th, 2010
(Italiano) Domani: Art May Sound a Bolzano
May 27th, 2010
A Hundred Word Stories #40
March 11th, 2010
Détective Noir et Crimespassionnels by Ryan Licata
Her heavy goons in the alleyway had left him without a single slug, while she’d be packing that piece, neat and compact, under her skirt. Backstage, her name was emblazoned on a door under a paling gold star. Inside, she sat at her dressing table, looking at him through her mirror, mascara streaking to the corners of her mouth. She stood up, turned and slowly hoisted up her skirt, showing what she had every intention of using against him. “Shows over sweetheart,” he said, but as she entwined her feather bower around his neck, he found it all beginning again.
Notes:
usually I am really rational about my artistic decisions. This time I just followed an impulse. This is the result of it. Somehow it looks like it could have been taken out from a 70s comic mag, which I find somehow fitting… or don’t you?
BilBOlbul
March 4th, 2010
Sorry, this entry is only available in Italiano.
Bauhaus is dead, undead. The comic
February 11th, 2010
Sorry, still none of my regular posts. But in the meantime here’s a small preview of a comic I’ve been working on lately. It’s about the fathers of goth rock Bauhaus and it will be published in the upcoming anthology Guida illustrata al frastuono più atroce #2 by the Italian punk comic group Lamette. I really like the vintage film touch I managed to give to this panels. Basically it’s the “Dog Show technique” adapted to b/w. The text is a variation on the Bauhaus hit Bela Lugosi is Dead. That’s why it all looks like some old horror movie.





